"A Worker's Speech to a Doctor" by Bertolt Brecht

 

We know what makes us ill.
When we’re ill word says
You’re the one to make us well

For ten years, so we hear
You learned how to heal in elegant schools
Built at the people’s expense
And to get your knowledge
Dispensed a fortune
That means you can make us well.

Can you make us well?

When we visit you
Our clothes are ripped and torn
And you listen all over our naked body.

As to the cause of our illness
A glance at our rags would be more
Revealing. One and the same cause wears out
Our bodies and our clothes.

The pain in our shoulder comes
You say, from the damp; and this is also the cause
Of the patch on the apartment wall.
So tell us then:
Where does the damp come from?

Too much work and too little food
Make us weak and scrawny.

Your prescription says:
Put on more weight.
You might as well tell a fish
Go climb a tree

How much time can you give us?
We see: one carpet in your flat costs
The fees you take from
Five thousand consultations

You’ll no doubt protest
Your innocence. The damp patch
On the wall of our apartments
Tells the same story.

"The Lake Isle of Innisfree" by W.B. Yeats

 

I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made;
Nine bean-rows will I have there, a hive for the honey-bee,
And live alone in the bee-loud glade.

And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight’s all a glimmer, and noon a purple glow,
And evening full of the linnet’s wings.

I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heart’s core.

"This Room and Everything in It" by Li-Young Lee

Lie still now
while I prepare for my future,
certain hard days ahead,
when I’ll need what I know so clearly this moment.

I am making use
of the one thing I learned
of all the things my father tried to teach me:
the art of memory.

I am letting this room
and everything in it
stand for my ideas about love
and its difficulties.

I’ll let your love-cries,
those spacious notes
of a moment ago,
stand for distance.

Your scent,
that scent
of spice and a wound,
I’ll let stand for mystery.

Your sunken belly
is the daily cup
of milk I drank
as a boy before morning prayer.
The sun on the face
of the wall
is God, the face
I can’t see, my soul,

and so on, each thing
standing for a separate idea,
and those ideas forming the constellation
of my greater idea.
And one day, when I need
to tell myself something intelligent
about love,

I’ll close my eyes
and recall this room and everything in it:
My body is estrangement.
This desire, perfection.
Your closed eyes my extinction.
Now I’ve forgotten my
idea. The book
on the windowsill, riffled by wind . . .
the even-numbered pages are
the past, the odd-
numbered pages, the future.
The sun is
God, your body is milk . . .

useless, useless . . .
your cries are song, my body’s not me . . .
no good . . . my idea
has evaporated . . . your hair is time, your thighs are song . . .
it had something to do
with death . . . it had something
to do with love.

"Wild Geese" by Mary Oliver

You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting -
over and over announcing your place
in the family of things.